Born in 1985 in Alberta, Canada
Lives and works in New York, NY USA
MFA, Studio Art, New York University Steinhardt School
BFA, Drawing Major, Alberta College of Art and Design
Dressing for Windows (Exploded View) or ‘everywhere I go people know the part I’m playing’, Organized by DJ Hellerman, SCAD Museum of Art, Savannah, GA USA
Elaine Cameron-Weir: STAR CLUB REDEMPTION BOOTH, Henry Art Gallery, University of Washington, Seattle, WA USA
strings that show the wind, JTT, New York, NY USA
CONDO London, hosting JTT, NY, Sadie Coles HQ, London, UK
His Master’s Voice, JTT at Sadie Coles for CONDO, London, UK
Outlooks: Elaine Cameron-Weir, Storm King Art Center, New York, NY USA
ELAINE CAMERON-WEIR exhibit from a dripping personal collection, Dortmund Kunstverein, Dortmund, Germany
wave form walks the earth, Hannah Hoffman, Los Angeles, CA USA
Elaine Cameron-Weir: viscera has questions about itself, New Museum, New York, NY USA
Erotix, Andrea Rosen Gallery 2, New York, NY USA
snake with sexual interest in own tail, Venus Over Los Angeles, Los Angeles, CA USA
Medusa, rodolphe janssen, Brussels, Belgium
Medusa, organized by Rose Bouthillier and the Bellwether project of the Cleveland Museum of Art, Cleveland, OH USA
venus anadyomene, Ramiken Crucible, New York, NY USA
Elaine Cameron-Weir, rodolphe janssen, Brussels, Belgium
Elaine Cameron-Weir, White Flag Library, St. Louis, MO USA
Venus Over The Sun, Desaga, Cologne, Germany
Not known to be used by any form of life, Ramiken Crucible, New York, NY USA
Elaine Cameron-Weir, Possible Projects, Philadelphie, PA USA
without true bazars, Ramiken Crucible, New York, NY USA
The Milk of Dreams, The 59th International Art Exhibition, curated by Cecilia Alemani, Venice, Italy
New Time: Art and Feminisms in the 21st Century, BAMPFA, Berkeley, CA USA
The Dreamers, 58th October Salon, Belgrade Biennale 2021, Curated by Ilaria Marotta and Andrea Baccin, Belgrade, Serbia
Make-Shift-Future, Curated by Elliott Hundley, Regen Projects, Los Angeles, CA USA
Crumple, curated by Emily Watlington, Vin Vin, Vienna, Austria
Hooks and Claws, curated by Alexis Vaillant, Galerie Gregor Staiger, Zürich, Switzerland
A Detached Hand, Magenta Plains, New York, NY USA
The Magnetic Fields, Gió Marconi, Milan, Italy
Hardcore Erotic Art, Ramiken Crucible, New York, NY, USA
Terres de Femmes, Praz-Delavallade, Paris, France
III, Remai Modern, Saskatoon, Canada
In The Reading Room of Hell, curated by NOVEL, A Plus A Gallery, Venice, Italy
Trip of the Tongue, Simon Lee Gallery, Hong Kong, China
Contingencies: Arte Povera and After, curated by Jody Graf, Luxembourg & Dayan, New York, USA
Dirge, JTT gallery, New York, NY, USA
Le Grand Balcon, La Biennal de Montreal, Montreal, Canada
More than Lovers, More than Friends, a curated project by Jo-ey Tang, FUTURA, Prague, Czech Republic
13th Triennial of small-scale sculpture, Fellbach, Germany
Pièces-Meublés, curated by Bob Nickas, Galerie Patrick Seguin, Paris, France
AN ACCOUNT OF DISCOVERY AND WONDER; Detailing intrepid exploration, inevitable peril and infallible resolve, as evidenced by relics, replicas, artifacts, counterfeits, documents, samples, souvenirs, ephemera, scraps and residue, curated by Markus Li Stensrud, 1857, Oslo, Norway
The boys the girls and the political, Lisson Gallery, London, UK
Relational Changes, curated by Cointemporary for curated by_vienna, Christine König, Vienna, Austria
... and the stage darkens (or this voice is a big whale), Laure Genillard, London, UK
Flat Neighbors, organised by Ajay Kurian, New York, NY USA
Mississippi, organized by Sam Korman, GAMeC, Bergamo, Italy
Another, Once Again, Many Times More, Martos Gallery, organized by Carol Bove, Martos Gallery, East Marion, NY USA
Khar Pidda - A Tribute, Flash Art NY Desk, New York, NY USA
‘From whose ground heaven and hell compare’, organised by Ben Schumacher, Croy Nielsen, Berlin, Germany
BLOOMINGTON: MALL OF AMERICA, NORTH SIDE OF FOOD COURT, ACROSS FROM BURGER KING & THE BANK OF PAYPHONES THAT DON’T TAKE INCOMING CALLS, Bortolami, New York, NY USA
Objects of Desire, organized by Adelina Vlas, Philadelphia Museum of Art, Philadelphia, PA USA
Garage Show, JTT, New York, NY USA
LAT. 41° 7’ N., LONG. 72° 19’ W, organized by Bob Nickas, Martos Gallery, East Marion, NY USA
Haptic Translations, organized by Christine Messineo, OHWOW, Los Angeles, CA USA
Spectrum Suite, Nicelle Beauchene Gallery, New York, NY USA
introduction Procedure, Art Concept, Paris, France
Forming the Loss in Darkness, curated by Jo-ey Tang, Praz-Delavallade, Paris, France
Turnkey of Forever After, Bed-Stuy Love Affair, Brooklyn, NY USA
Out of the Blue, Bortolami Gallery, New York, NY USA
WEIGHTS & MEASURES, Eleven Rivington, New York, NY USA
Creature From the Blue Lagoon, organized by Bob Nickas, Martos Gallery, Bridgehampton, NY USA
STRAIGHT UP, Family Business, New York, NY USA
III, Robin Cameron/Elaine Cameron-Weir/Rochelle Goldberg, Martos Gallery, New York, NY USA
1867 1881 1981, collaborative show with Ben Schumacher, Bodega, Philadelphia, PA USA
Cave-in, outdoor show organized by Ramiken Crucible, Arcillas, Puerto Rico, USA
The 2011 Bridgehampton Biennial, organized by Bob Nickas, Bridge hampton, NY USA
Chopped and Screwed, curated by Hugh Scott-Douglas, MKG127, Toronto, ON Canada
Perfectly Damaged, Derek Eller Gallery, New York, NY USA
Correspondence, two person show with selected works of Holt Quentel, Kathleen Cullen, New York, NY USA
Saint Lawrence Ice, outdoor show curated by Ben Schumacher, Wolfe Island, ON Canada
Inaugural, Mouthful Of Poison, Ramiken Crucible, New York, NY USA
Black Mondays : Good Vision, curated by Thomas McDonell, Kathleen Cullen Fine Arts, New York, NY USA
S(l)ummering on Madison Avenue, curated by Jo-ey Tang, Notary Public, New York, NY
MIN, Regina Rex, curated by Eli Ping, Brooklyn, NY USA
Philadelphia Museum, Philadelphia, PA USA
The Walker Art Center, Minneapolis, MN USA
Art Gallery of Ontario, Toronto, ON, CA
The Hammer Museum, Los Angeles, CA
Remai Modern, Saskatoon, SK, CA